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Power & Patronage in Florence - A history of Renaissance art and architecture

An extraordinary concentration of world-class art, probably the most influential ever.

Examines the artistic achievements of the Renaissance and the patrons who paid for them.

A well-planned itinerary allows us to see much of the most significant work in just five days, with some free time as well.

February dates avoid the peak-season crowds.

Lectures in the hotel complement the on-site talks by the accompanying art historian.

Flights are not included.

  • Florence, Descent of Christ into Limbo (detail) by Bronzino in the Basilica of Santa Croce.
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Six hundred years ago Florence was one of the largest cities in Europe – confident, economically precocious, and brimming with new ideas. A dazzling period of artistic and architectural innovation followed, founded in part on a new appreciation of ancient Roman exemplars. On this carefully-planned trip we discover the breadth and depth of its achievement. Much of the work is still in situ; Masaccio’s frescoes in the Brancacci Chapel, Fra Angelico’s paintings in San Marco, Michelangelo’s Medici tombs. The rest is concentrated in the city’s unrivalled museums. Not only one of Italy’s loveliest cities, Florence is probably the world’s most enthralling destination for the study of art.

Day 1

We leave our hotel at 5pm for a tour of the Medici-Riccardi Palace. Built in the 15th century, its chapel has exquisite frescoes by Benozzo Gozzoli. Return to the hotel for our first lecture, then dine together in a restaurant.

Day 2

A morning of superb sculpture at the Bargello and the cathedral museum; famous works by Ghiberti, Donatello, Verrochio and Michelangelo. Then the baptistery of San Giovanni (mediaeval mosaics). After a second lecture, we spend the afternoon examining the cathedral and Brunelleschi’s dome.

Day 3

We start with the church of Santa Maria Novella (works by Masaccio and Ghirlandaio), followed by the ground-breaking Masaccio/Masolino frescoes at the Brancacci Chapel. Santa Croce is mausoleum of the city’s elite, and home to frescoes by Giotto.

Day 4

The morning includes the friary of San Marco (works by Fra Angelico), the Accademia (Michelangelo’s David) and Brunelleschi’s Foundling Hospital. After our third lecture, we tour the Uffizi’s unrivalled collection of Renaissance painting. Final dinner.

Day 5

The Medici parish church of San Lorenzo begins a morning dominated by the ruling family. The adjoining Medici chapels and the Laurentian Library reveal Michelangelo’s brilliance as both sculptor and architect. The trip concludes at our hotel by 1pm.


£960 per person sharing in a double room.

£1,060 for one person in a double room.

Flights are not included.

Combines with Art Treasures of Venice, 23–27 February 2018.


Accommodation and meals

The hotel: Hotel Corona d’Italia, Florence (3 star).

Included meals: daily breakfasts and two dinners (with wine).


Getting around

Expect a lot of walking on uneven pavements as well as standing around. The trip is not for anyone who has difficulty climbing stairs.


Guaranteed departure

There is no minimum number of clients required for this trip to run.


Joining and leaving the trip

Flights and trains are not included, you make your own way to and from the starting and finishing point of the trip. British Airways flies from London City directly to Florence at 7am or from London Heathrow to Pisa at 10.55am, timetables may change. There are also European airlines flying from the UK to Florence or Pisa with a connection in Europe. From Pisa International Airport, you can take an express bus to Florence Santa Maria Novella railway station. The journey takes about 70 minutes and a 5-minute walk from the station to the hotel. For more information and timetables please visit Please note CTC does not arrange international or domestic travel.


Maximum group size

25 participants.


Travel advice

Please check before you book to make sure you are happy with the advice for the places you are visiting.